Labarthe was very much in the orbit of the French New Wave—he appears as an actor in Godard’s My Life to Live—and his collaborator, Janine Bazin, was the widow of film theorist and Cahiers du cinéma co-founder André Bazin. Yet by 1964, five years after the explosion of the movement onto French and international screens, doubts about the true impact of the New Wave had emerged. Labarthe and Bazin assembled an intriguing round-table made up of Cinématheque Française director Henri Langlois, and filmmakers Alexandre Astruc, Pierre Kast and Agnès Varda to discuss the past, present and future of the movement.

Labarthe was very much in the orbit of the French New Wave—he appears as an actor in Godard’s My Life to Live—and his collaborator, Janine Bazin, was the widow of film theorist and Cahiers du cinéma co-founder André Bazin. Yet by 1964, five years after the explosion of the movement onto French and international screens, doubts about the true impact of the New Wave had emerged. Labarthe and Bazin assembled an intriguing round-table made up of Cinématheque Française director Henri Langlois, and filmmakers Alexandre Astruc, Pierre Kast and Agnès Varda to discuss the past, present and future of the movement.

Made for Cinéastes de notre temps series. In 1964, several French New Wave auteurs discuss the success and crisis of the wave. Featuring Claude Chabrol, François Truffaut, Jacques Rivette, Jean-Luc Godard, Jacques Rozier, Jacques Demy, Agnès Varda, Jean Rouch, and many others.

Third part of a French TV series about the creation and building of the town of Cergy-Pontoise.

Third part of a French TV series about the creation and building of the town of Cergy-Pontoise.

A teenager desperate to prove the existence of the infamous shadow demon Hatman forces herself into sleep paralysis and enters a nightmarish dream world she may never wake up from.

A worker in a big city who feels uncomfortable around women meets a sex worker, and in an attempt to overcome his hesitations, he discovers his sexuality.

Star crossed lovers are the focus of this French romantic comedy. Marie-Louise, an American, has come to Paris to meet her new lover, Jean-Paul who has a weekend pass from his military service post. Unfortunately they misunderstood each other's instructions and are each at different train stations. They begin desperate searches throughout the night to find each other. The are hindered by Jean-Paul's ex-lover Marie, whom he rejected. Marie will do anything to get rid of Marie-Louise and win Jean-Paul back. Marie-Louise has her own problems when Jean falls for her. Jean accidently gets her involved with the police after he is arrested on the suspicion of pickpocketing. Despite their travails, the couple still tries to find each other. In the end, they are assisted by a magical nun who finally reunites them.

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The French team —on home soil— was always going to be in contention for the title of World Champion. It did not disappoint its fans. France '98 was not short on drama or controversy, in equal measure and this is captured most effectively on this film. The 1998 film was shot on Super 16 mm film and includes the most complete and extensive coverage ever, with each match being filmed from more angles than any previous film.